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Creative Writing Techniques – Learn Writing Skills Quickly

Creative Writing Techniques – Learn Writing Skills Quickly

Introduction to Creative Writing Techniques

Creative Writing In this century, ideals no longer have as much control over reality as those of great thinkers like Plato and Aristotle. Today the emphasis has shifted from what “should” be to “what is”.

Consequently, there are now a thousand and one media, all of which transmit and disseminate information, but with little communication. Little communication because everyone has become a media in themselves, so the conventional mass media still have a big impact, but are only chosen based on everyone’s self-augmenting needs.

In this era around the world, socio-economic systems no longer reward for his / her work, but everyone sells themselves and their abilities to get him/her rewarded.

You are therefore used to seeing young men and women wear social communication gadgets on a daily basis, including laptop and notebook computers, enabled telecommunication handsets that not only allow easy and efficient access to business partners, consumers and customers but also as ready serve modems on the World Wide Web.

Creative Writing The challenge that each individual now faces is how to be relevant in the fierce competition created by modern trends to get his / her ideas and personality sold. As it should be insinuated from the beginning, that no one makes your point for you if you don’t make it; you just get left out.

In this regard, when you hear, read about, or know someone in person, who you presume claims the rights of the less privileged, wisdom demands that you look again because you will see that they are only acting for their share and more of what the “system uses”.

Moreover, in this century one cannot ignore that his level of exposure to relevant information determines his / her level of transformation, which in turn determines his / her overall success.

Read also about the difference between insure and ensure | Creative Writing 

It is therefore undeniably striking that in order to stay above the floods and hold sway in his / her field, everyone today must necessarily acquire self-expression skills. Therefore, it is important for everyone to understand the basic techniques of creative writing.

So, whether you are a student with a keen interest in acquiring skills to criticize, create and analyze creative writings, or perhaps your interest lies only in appreciating a particular genre for pleasure, this article is intended to improve your outlook, because it is a concise, yet doable practical guide and academically sound perspective on self-development in creative thinking that prunes your writing skills.

What is creative writing?

The term ‘creative writing’ suggests the idea of creating writing. However, the creative writing process goes beyond hatching ideas to create a remarkable world. As a field, it encompasses every acceptable right technique and real methodology of self-expression, allowing your true creation to achieve beauty and eye-catching while achieving meaningful communication in reflecting the human situation as universally empirical.

While being empirical in science can be a pattern of strict adherence to a prescribed process of under-studying phenomena, in creative thinking this refers to the fact that any world you create with your writings must be comparable to human experience enough to provide a desired emotional response in a dimension that anyone who has had a similar experience could identify with the right characters and real social situation created in your works.

Creative writing can be seen as a true means/tool to present in the right way to achieve pleasure/entertainment, teach or teach informally and achieve beauty without the universally accepted standards and tools for self-expression undermine and presentation.

Creative structures

The fact that creative writing is only creative disqualifies the word structure in its literal sense. Not that it has nothing to do with his physique, but the structure in creative writing is emphasized by the physical shape of having a head-up, hind leg and torso in the middle.

Here it means that there are ideal characteristics that a creative piece should have, and not the order in which these characteristics occur.

In general, any creative artwork has some of the following:

  • Introduction – a catchy, interesting start that has to say what it’s all about, why it’s important and possibly how it’s presented. For complex works, you may need to explain the introduction in detail explaining certain functional concepts.
  • Connection – if we were to compare this to an animal, a connection should be a neck, because it connects the introduction to the body of the piece. This can be a maxim, figurative expression or connected phrases that accurately serve as a build-up to introduction and basis for the body. The use of connecting terms here always makes it easy for digestion.
  • Explanation – the body of your creative piece contains all the details. The devices used all need to be woven together to create a beautiful image with lasting impact.

Creative Writing Conclusion – these can be just a few sentences associated with the piece and confirm the whole work from alpha to omega, or it can be a quote, a short story or whatever device dictates your creativity.

To emphasize again, assume that the order and style of this strongly depend on your creativity as a writer. It is your duty to choose a style that is most suitable for your work.

Elements of construction

To achieve creative masterpieces, a writer as a creator of worlds and scenarios must understand and adhere to the elements or techniques of writing. These elements discussed here undo or undo your writings.

  • Universal Standards / Landmarks: Like the creative writer of the Stone Age, modern humans must recognize the existence of certain acceptable standards applied around the world. As far as the arts don’t have formulas, there are standards that make your piece good or bad. Believe it or not, not paying attention to your mechanical accuracy, people know when work is good or bad and they will tell you how they respond to it.

Just telling a good and interesting story does not make your work fit for eternity, but on this, you need to synchronize the old landmarks of the profession.

For example, if your genre is poetry and doesn’t pay attention to the incidence of the “free verse”, landmarks should be seen as an opportunity to express yourself nicely and meaningfully rather than an obstacle to avoid. In Creative Writing, You can try to imagine what poetry would be without figurative expressions and the use of devices such as rhyme, rhythm and meter and so on. The poet must know the basic types of poetic designs that have been identified and their respective characteristics since his / her must fall into some category.

Otherwise, write chopped prose for poetry.

This also applies to all other genres; the creative writer must identify the archetypal landmarks and norms in the field and play by the rules.

  • Functionalism:

    the creative principle of functionalism does not imply the same meaning as the sociological philosophy that everything plays a specific role in society. Creative functionalism means that there are functions or roles that literature is expected to fulfill as a motherfield for creative works. For your work to be creative, it must fulfill at least one of these functions of literary science:

  1. a) Preserving and refreshing language and culture – it is the duty of literature as a way of life to preserve the language we speak, cultural values and practices. The language here does not mean the dialect, not that literature does not preserve or renew the dialect, but the emphasis should be on the ability to preserve expressions that were used thousands of decades ago for generations that are still unborn.

It is also the most articulate means of knowing the history and culture of each group, both written and oral. The way and text style of literary presentations also makes an otherwise ordinary language interesting, more beautiful and tasty in the mouth and ear, both for the speaker and for the person who hears it. Therefore, as a creator of worlds, when you compose your world, it is necessary to refresh your expressions.

For example, you might say in your writing that “it is now clear that Dennis and Juliet have a more than ordinary relationship”. Another way to offer the same interpretation is this; “It stares in your face that Dennis’s handshake with Juliet is far above the elbow”. The two statements have the same meaning, but one, the latter, is more pleasant to hear and say. It also says more volumes than the first.

  1. b) Entertainment – more than anything, people patronize creative works for their entertainment value. This is not to be afraid, but to hint that the fastest way to buy the hearts of the audience/fans/consumers and their pockets gives them amusing pieces interesting enough to relax the nerves.

In the past, research shows, people in the past read more than they do now. Why? Because the shift in emphasis on material accumulation has not given most people time to read, because books need full attention to decipher.

Audio music, on the other hand, gets more protection because it creates space in itself to combine with financial and other activities. For this reason, the streets like the offices are full of men and women whose ears are connected to some audio device – simply because the audio media allow you to receive entertainment while working, driving or sleeping, which the book does not allow. This unique point presents a greater challenge to music creators, without undermining other branches of creative writing. As the world designates less time for entertainment every day, the challenge is to continue to meet the entertainment needs of the intended audience.

Simply put, your work should be entertaining if it’s creative enough, so if you’re wondering how to write creatively, one way is to dwell on topics, ideas, and characters with entertainment values. More so because today’s world pursues too serious money that without a creative writer to absorb the effect of forced labor, many will go insane, such as “all work and no play …”

  1. c) Position – the majority, if not all creative works are a response to a particular social situation. Scriptwriters for audio, video theatrical productions, and poets, novelists and playwrights build illusory worlds with their characters and screenplays, simulate real-life situations and suggest ways to solve or exacerbate identified problems.

This connects us with the function of literature to teach, inform and train. And this role is not fulfilled by the usual pedagogical education of the school but in creative ways.

Your creative work will only be really creative if it makes a statement about a certain human situation. This is the secret behind the world’s greatest literary works.

The movie “Helen of Troy” like “Romeo and Juliet” seems to make a statement that love is greater than any sentiment and therefore deserves a sacrifice. Likewise, the science fiction film “Matrix” makes a claim that the creator of the universe is destined to be everything as it will be, and there is nothing to change it, not even the combined effort of all enemies, human and spiritual.

Read every book, watch movies or listen to music. Any work that has no point of view, something that it advocates, teaches, encourages, discourages or informs, cannot pass a creative masterpiece. To isolate a situation while writing and address it.

It is not to be expected that creative work should be prescriptive, the point is to have a view that can be disseminated on a chosen theme, not necessarily in accordance with the expectations of real life, but a product of imagination is that is hindered by creativity.

  • Style:

    Whatever this may sound, it is one of the trickiest aspects of creative writing, especially for those tasked with judging creative works. This is because there are no formatted creative styles to choose from. The presentation style rather depends on his / her creative skills. The good news is that everyone has a style, intentionally manipulated or accidentally fired.

However, the advice is that one should always consider the public when choosing a style to adopt.

You can choose to tell your story from the middle, the end or from the chronological beginning. You can even choose to mix poetry with prose at some point, use hanging phrases, jargon, or some other device. If yours is poetry or song, you can decide to render lines evenly or otherwise, inject rhythm or meter. All this must be determined by three primal factors, namely: your understanding of your audience, the suitability of the subject/style and your creative ability to maximize use.

  • Dictation:

    Remind once again that this is a generation of busy people. Even unemployed youth are busy staying inactive, so your goal as a creative writer should be to communicate enough volume to your piece within a limited time and for every listener who spends time on your job it should be well rewarded with pleasure that can be deduced from the work.

In addition, creative writers for novels, newspapers, and magazines should keep in mind that many people read while on the go and dictionaries are not useful at such times. Video and stage productions are also offensive when viewers have to pause every minute to write a word or press the pause button to get a dictionary.

But as mentioned earlier, literature has a duty to teach and brush up on language, so while it is recommended for creative writers to use fluent language easily, it is equally recommended to avoid keeping a piece flat and too watery, mature and be balanced.

In Creative Writing, This should again depend on the audience, the subject and the ingenuity of the author in language construction. Whatever you do, mechanical accuracy should not be taken lightly.

Only suitable visual language and relevant expressions may be used and the language may flow unless the intention is to create a special effect through a particular pattern of presentation.

  • Representation of universal reality:

    creativity is beneficial in relation to the expression of the human situation. The best masterpieces are those that evoke empathy and that people can identify with. This is why you often see people crying while watching a movie or reading a book.

If the subject is a crime, it should be an edge from which human experience can testify to reality (or the likeness of reality). When it comes to war, famine, death, love or rite of passage, it is your inevitable task to ensure that the piece must be able to attract personal empathy or identification from a wider range of audiences who must be of good thinking people.

  • Conflict:

    previous pages stated that entertainment must be achieved to create a world through writing. Closely related to this entertainment value of creative pieces is the degree of conflict that arouses tension, tension, and interest.

Good manipulation translates into enslaving your listener, who takes up your work and cannot suppress taking it easy or eating until “the end” shows up. Then he/she spends a lot of time asking and processing details and possibilities of the work.

Fortunately, both human societies and individual relationships are linked by conflicts of varying degrees. So, whatever topic you like, creating a conflicting situation whose escalation or the resolution of characters playing would be hugely rewarding.

When using this technique, your ingenuity should be the sole dictator of the position of your conflict and thus tension. It is the proper management of this element that places the works of James Hardly Chase above all equals. Whether you choose to send your message using the climax plot or the opposite, the rule is that there must be enough conflict to make your creative work a masterpiece.

  • Domesticating Inspiration:

    the hub of everything that has been said and is yet to be said in this essay is an inspiration. Anyone who is creative or not gets inspiration from different sources and in different ways. For the creative writer, the great icons of the time have called this source the Muse. For many, this is God; for some it is nature and for others an atmosphere.

The challenge here is that because what puts one person into connectivity mode with the source of his / her inspiration can ironically scare another. So it’s really up to you to identify, pursue and domesticate/personalize/configure yours.

The implication is that if you discover that unusual ideas come to mind every time you are in a noisy environment, you should put yourself in such an environment more often. On the other hand, if you discover that you think creatively clearer when you lie on the bed, it means that you have to create more time to lie on it more often.

The point, therefore, lies in the creative writer’s ability to identify what kind of environment and mood is causing inspiration to flow and to make deliberate efforts to create such a conducive atmosphere and refuge, to protect each flow from unnecessary interruptions which would result in the Pablo Picasso “Man from Pollock” experience.

  • Remove Blocking:

    One of the most daunting challenges to creativity is how to “override” the initial blockage of one’s creative abilities. Very often, many creative talents die with pent-up, uncreated worlds simply because they didn’t know how to start writing. For novice writers, initial fear explained as “blank page terror,” may be due to the inability to tune the system to an appropriate frequency to download inspirational thoughts.

When this is the case, you have wonderful ideas in your head, but you can’t put a pen on paper to keep them, so they go away and find someone else more receptive.

The practically tested way to overcome initial fear is to start writing. Your first few lines may not be worth keeping, but just write and leave that to the pruning process. Once you have started, you will see that the process is more spontaneous than you expected. So you can write a few lines, a scene, a few lines or a page, but eventually, write volumes.

So many ideas knock at the door of your creative mind, not necessarily in a certain order or in their “perfect” state. Just collect the fish together with the shrimp and snails so you can sieve and synthesize later.

The word Perfect is enclosed in quotation marks here because no artwork is perfect. Why? Because there are no formulas in the humanities; creativity with flexibility is the keyword.

To elaborate on this, I tell you the story of three blind men who have gone to a wildlife sanctuary to “see” animals. After visiting the elephant pen, one of them who had touched the ear said, “Ah! So this is what elephants are: limp, soft and flat.” Another said, “Elephant is so long and snake-like.” He had touched the trunk. But the third exclaimed, “Goodness to me! Is that how an elephant’s body is? As strong as a steel bar ‘. He had touched the elephant’s tusk.

Now each of them was absolutely right in his description of the elephant. Yet this was from everyone’s point of view, and only according to everyone’s understanding and perception.

Likewise, the area of creative writing is larger than anyone and therefore it is impossible to paint a perfect picture because what you see as perfect can be terrible for another man. So if someone is wondering, whose definition should we find the most suitable and therefore perfect? However, there are archetypes and ingredients that make your work a masterpiece according to popular opinion, and it has offered this essay.

Stages in the creative process

While the following stages are not necessarily in a particular order, they are stages that every creative thinker goes through when passing on his ideas. These include, but are not limited to:

  • Ideation
  • Mapping / outlining
  • Extensive detailing
  • Pruning/editing and
  • Spread.

Creative ideation

This refers to the process of getting inspiration to write. That time you start joining forces and thinking to create a whole story that would make sense and be attractive. This happens largely within the creative sphere of the mind, but can often be caused by external factors.

External factors that always can motivate the ideation of a best creative thought or stimulate the right flow of inspiration include personal true experiences, witness experiences of things that have not happened to you but have been seen to have happened to another. What you see with your eyes also plays a major role in stimulating your inspiration. Others are things, people, and places that you love or hate.

No matter how simple and effortless creative ideas may seem, it is what prevents most people from thinking and writing creatively, because it requires attention and service. No matter how hard they try, some have complained that they are never able to make meaningful coordination of their thoughts, let alone put them in black and white.

Ideas for most creative writers happen slowly and intermittently in the early stages, but become frequent, spontaneous, and often aggressive with the passage of time, aided by the constancy of practice. (See more of this discussion under domestic inspiration on the following pages).

Mapping / outlining

This means that you record the ideas as they fall into your creative thoughts as they come. These can just be sketches or main ideas, making it much later. Outlining is like laying the skeleton of the world that you have imagined building.

Because inspirations come in an instant, they become very elusive if not written down and experience has shown that the best inspiration is not invited and if lost they are not easily reincarnated.

Creative mapping and the previous point (ideation) usually go simultaneously, but some experienced creators who find that the mapping process disrupts the flow of inspiration may choose to keep their heads down and save the flow to write them later. But without experience, this may not be easy. Frankly, it can be a sure way to lose precious blocks of ideas.

Extensive details

The main phase of the creative process helps to retain ideas for this phase. An initial depiction of a creative piece, be it a song, poem, prose, or play, can look very unattractive and pointless. So this phase involves providing coherent sentences, rules, paragraphs and detailed description / elaborate intrigues of the world as it exists in your mind.

The creative writer must always be aware that his Creative Writing is his creation and that the lives of his people, as well as their natural and human resources, depend on him. For example, where you create a wonderland, real people would leave this busy world of ours on vacation to serve the tourist term in your world. Otherwise, it falls flat between worlds that are never candidates for sustainability.

Extensive detailing is the stage at which the nitty-gritty is put together to make the work beautiful.


While this starts with ideation and goes through the process at the same time, it appears here last on the list because, because it’s important, it’s inevitable. This is simply editing all types and can be done at any time as the idea is to present your virgin world as a masterpiece.

Editing only ends with publishing your creation to the intended audience once it is done, except for later editions/revisions, whatever errors there are, or an aesthetic failure or mere grammatical errors that would persist forever as a child born from unwanted pregnancy.

It is advisable to give other people the opportunity to edit, and possibly even criticize your work before it is published, as you will discover that you have overlooked very common mistakes, but are large enough to screw it up.


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